The Power of the Sea


From the sublime spectacle of crashing waves to the vast and open expanse of the oceans, the sea has long fascinated artists in Britain. The Power of the Sea offers a multi-disciplinary approach to this fascinating subject, showcasing work by internationally-renowned contemporary artists alongside key historical works from national and regional art collections.


Many of the earliest artists in the exhibition - George Morland, Francis Danby, John Brett and Walter Langley - emphasized the Romanticism of the sea through images depicting the human costs of shipwrecks and their aftermath. Meanwhile JMW Turner and John Constable were captivated by its elemental nature – its fury and fluidity, breeze and light. By the late nineteenth century, the sea seemed more benign, a source of leisure and health: Henry Moore, David James, and Sydney Mortimer Laurence experimented with different ways to capture the movement of the waves. In the twentieth century Paul Nash, Edward Wadsworth and Paul Feiler found reassurance in the simple geometry of sea walls and boats, while Peter Lanyon, John Piper and Joan Eardley portrayed the coast as much more insubstantial, a place of swirling winds and shifting moods, reflecting personal experience.


Arguably artists working today and engaging with the sea have (inevitably) the contemporary concerns associated with environmental changes and challenges as either the focus or the backdrop to their practice. This universal and global experience resulting from climatic change manifests itself in the destructive force of the sea and the inundation of the land. Kurt Jackson takes this environmental agenda as the springboard for many of his works. Simon Read, Michael Porter, and Jethro Brice portray coastal erosion and rising sea levels, while Peter Matthews and Andrew Friend immerse work in the sea or create devices to disappear below its surface. History, myth and maritime tradition inhabit the works of Hugh O’Donoghue and Will Maclean. Monochromatic photographs and etchings by James Beale, Norman Ackroyd and Thomas Joshua Cooper capture its moods, beauty and movement. Maggi Hambling, recognised for her celebrated series of North Sea Paintings, has depicted the power and energy of the sea in both paint and bronze. Gail Harvey creates colourful waves, while Len Tabner, and Janette Kerr depict seas that foam and froth furiously.


This significant exhibition demonstrates the contrasts and continuities in artists’ engagement with the sea over a period that spans more than two centuries. It encompasses a time of great change in man’s relationship with nature - and the understanding of that relationship – bringing us to the present day and the effects of climate change upon rising sea levels, which has only lent greater urgency to their work.

The exhibition is accompanied by a fully illustrated book entitled The Power of the Sea: Making Waves in British Art 1790-2014, published by Sansom & Company, available from the RWA during the exhibition at a special price of £20 (RRP £25).


The Power of the Sea

5th April - 6th July 2014
Royal West of England Academy
Queen's Road, Clifton, Bristol BS8 1PX